Reliable recording and playback system that greatly reduces the operational burden
The first generation SyncVV system has been revolutionizing the shooting industry for more than 10 years and has continued to support many people's shooting operations. In 2023, the second generation SyncVV was born with new features. The automatic recording functions linked to the Vicon system that were so well received in the first-generation SyncVV system are of course still available. With a new, easy-to-use content management system, SyncVV has been reborn as a system that greatly optimizes not only recording operations but also the entire workflow, including post-processing. (Patented for newly implemented functions)
Take status management is indispensable on set where a large number of takes must be recorded. The SyncVV system has newly developed take status management, which is useful for identifying takes to be passed to post-production. The SyncVV system is equipped with features that fundamentally reform the way material is managed in the hectic recording environment.
With the SyncVV, a new page in history is created with an integrated recording environment that seamlessly realizes everything from shooting to data submission to post-production.
Seamless connection from shooting to editing
SyncVV has the character of a core system that supports the workflow leading from shooting to editing.
Video signals input via SMPTE ST 2022/SMPTE ST 2110/3G-SDI/HD-SDI are instantly encoded into MP4 files by SyncVV.
The encoded files are shared on a NAS in the studio and can be transferred to the post-production process as soon as the take is recorded.
SyncVV's open project file format also contributes to automation in post-production.
The seamless connectivity provided by SyncVV automates the cumbersome tasks that occur between shooting and editing.
It creates more time for the shooting and editing teams to spend on creative work.
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Multi-channel synchronized recording system in the file-based era
SyncVV is a recording system that instantly converts video input via SDI into mp4 files (H.265 encoded). A single system can record up to 4 channels of video, and outputs video material files that can be used in post-production a few seconds after recording stops. In other words, a production environment of a different dimension can now be configured around the recording studio.
Video signals input to each channel can be handled in the same or different video formats, allowing for flexible system design. In the case of timecode-triggered recording operation, zero-frame error recording is also possible, in which the start and end frames of the recording are perfectly synchronized between channels. This eliminates time-consuming editing tasks such as first frame alignment and final frame alignment that are conventionally performed in post-production, significantly reducing production costs.
It provides an optimal environment as a reference video recording system for volumetric video recording.